Soprano Sofija Petrović is exceptional as a singing teacher diva. This evening's crush, she gives her role of a much more marked consistency than the rest of the troupe, elegant from the tips of her fingernails to her vertiginous heels, sublime in the costume of Laurianne Scimeni, she makes a room conquered by its excesses and its jubilant mannerism. Supported by a string quintet during its intervention, the projection is of a beautiful scale, the pulpy timbre is rich in colors, the expressiveness of its song literally blazes in Puccini's Vissi d'arte.

- resmusica.com

Sofija Petrović's Aksinia impresses with her superb, very loud voice and her femme fatale sensuality soon to be scorned during a gang rape scene crying out for the truth. The actress is charismatic and that was essential as the character here is even more densified by Warlikowki.

- resmusica.com

Sofija Petrovic wins the loudest volume bonus. Even from the back, her singing is thunderous, always placed on a dramatic effect with tight vibrato, and for good reason: she plays the role of The Sängerin. Alone on the phone, she achieves an impressive vocal performance, reminding of Lulu and La Voix humaine.

- boxculture.franceinfo.com

Sofija Petrović is very much in her element as she goes all out in her character as a diva, to the delight of the audience. The performance is all the more marked because of the voice projection that is barely believable for such a young voice to shake the walls of the amphitheater.

- forumopera.com

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Born in Belgrade, Serbia in 1991, Sofija Petrovic graduated from the Faculty of Music Arts in her native city in 2014, where she received her bachelor’s in Voice under Russian soprano Ljudmila Gross. In 2012, the soprano won the Grand Prix at the most renowned republican competition in Serbia and received a scholarship from the government of Belgrade. In the same year, Petrovic was the youngest finalist at the Ferruccio Tagliavini International Competition in Austria, after which mezzo-soprano Elena Obraztsova invited Sofija to be her guest in St. Petersburg and to participate in her masterclass in Moscow.

In the summer of 2013, Petrovic received a scholarship to attend Julliard voice teacher Daniel Ferro’s masterclass in Tuscany, Italy. She also sang in a number of concerts in Firenze, Greve in Chianti and worked with La Scala’s principal coach maestro collaborator, Massimiliano Bullo, as well as other coaches and vocal teachers like Peter Castaldi, Ricardo Herrera and Bruno Rigacci. In October of the same year, Petrovic was heard in Vienna by voice teacher Bill Schuman and subsequently invited to audition for the Academy of Vocal Arts four-year training program in Philadelphia, where she began her studies in September of 2014.

In June of 2015, Petrovic was invited to prepare the title role in Madama Butterfly at Martina Arroyo’s summer program in New York City. During the same period...

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